the dark

It rained for days. Thin rain that soaked you in half an hour without the thrill of a real torrent. I went from home to home gossiping and seeing friends; helping with whatever had to be tended or gathered. My friend the priest was on a pilgrimage, so I left him long letters of the kind I would most like to receive.

I like the early dark. It's not night. It's still companionable.

No one feels afraid to walk by themselves without a lantern. The girls sing on their way back from the last milking and if I jump out on them they'll shout and chase me but there'll be no pounding hearts. I don't know why it is that one kind of dark can be so different from another. Real dark is thicker and quieter, it fills up the space between your jacket and your heart. It gets in your eyes. When I have to be out late at night, it's not knives and kicks I'm afraid of, though there are plenty of those behind walls and hedges. I'm afraid of the Dark. You, who walk so cheerfully,whistling your way, stand still for five minutes. Stand still in the Dark in a field or down a track. It's then you know you're there on sufferance. The Dark only lets you take one step at a time. Step and the Dark closes round your back. In front, there is no space for you until you take it. Darkness is absolute. Walking in the Dark is like swimming underwater except you can't come up for air.

Lie still at night and Dark is soft to the touch, it's made of moleskin and is such a sweet smotherer. In the country we rely on the moon, and when the moon is out no light can penetrate the window. The window is walled over and cast in a perfect black surface. Does it feel the same to be blind? I used to think so, but I've been told not. A blind pedlar who visited us regularly laughed at my stories of the Dark and said the Dark was his wife. We bought our pails from him and fed him in the kitchen. He never spilt his stew or missed his mouth the way I did. 'I can see,' he said, 'but I don't use my eyes.' He died last winter, my mother said.

It's early dark now and this is the last night of my leave. We won't do anything unusual. We don't want to think that I'm going again.

from The passion, Jeanette Winterson

collage/montage

its (collage's) heterogeneity, even if it is reduced by every operation of composition, imposes itself on the reading as stimulation to produce a signification which could be neither univocal nor stable. Each sited element breaks the continuity or the linearity of the discourse and leads necessarily to a double reading: that of the fragment perceived in relation to the text of its origin; that of the same fragment as incorporated into a new whole, a different totality. The trick of collage consists of never entirely suppressing the alterity of these elements reunited in a temporary composition. Thus the art of collage proves to be one of the most effective strategies in putting into question all of the illusions of representation. ( collages 34-5)

Grammatology Derrida

Montage does not reproduce the real, but constructs and object ( its lexical field includes the terms "assemble, build, join, unite, add, combine, link, construct, organise" Montage 121 or rather mounts a process ( " the relation of form to content is no longer a relation of exteririty, the form resembling clothes which can dress no matter what its content, it is process, genesis, result of a work" in order to intervene in the world, not to reflect but to change reality.


from-
The object of post criticism
Gregory L Ulmer

The anti aesthetic