A pretty girl in her underwear
Stephen Merrit ( The Magnetic Fields)
blog of quotes
A pretty girl in her underwear
Stephen Merrit ( The Magnetic Fields)
When a person goes, that habitat never comes back. An occupied room is a great diversity of life. The inspector would have limited time in Carlos’s office. It was the place to start. He was working against extinction. When his wife had died, it wasn’t just her body that had gone. She had been an incalculable volume, and there was nothing unusual about that. She didn’t stop at the edge; she had a field of life around her. Her scent, her appearance, her effect would have been wholly different if even one day of her biography were omitted. There was a frame around her, a hive, a community created by the kind of thoughts she had and the way she spun her hands and moved her feet. It wasn’t just that she had gone; more than her had been devastated. Biodiversity was weaker.
.
.
.
It was only later that he thought of further evidence for his theory, wishing he’d presented it at the time. In long-established couples, especially the elderly, who are very sensitive to change, the death of one frequently leads to the death of the other. It is not a romantic thing, not a death of the heart, he had thought, and neither is it simply a matter of grief-induced stress weakening the immune system and leaving the widowed more vulnerable to infection; no, it is about a home space undergoing a sudden violent extraction, disordering a balance that had been slowly and painstakingly built up over many years. It is about a new toxicity entering the home. Without her being there he was more exposed: her contribution to climate and atmosphere was significant, and now it was all shot to pieces. How could he trust the air in a room that was his alone? The idea was ridiculous. There was no evidence to say that his routines and behaviours were fit and able, any longer, to make a viable living space – such things ought to be checked, he thought, as soon as someone leaves, rather than simply trusting them to get on with it, just as if nothing had happened.
I thought that a man might be an enemy of other men, of the differing moments of other men, but never an enemy of a country: not of fireflies, words, gardens, streams, or the West wind.
Lucinda Williams
The diseased
I want all of you out there to shut up.
I'm going to live the ways we want to live.
What do you want of me now?
Liver, blood, guts?
The only thing left is madness.
You too’re gonna drive yourself to the pits:
You're gonna walk on coals through blazing fires:
You're gonna drink down the world's most painful poisons:
That's what wanting love is.
My man isn't like other men.
He can keep you in prison.
He can make you do anything.
I know why all of you want him.
But worse, what happens
if my Slave Trader
for some stupid reason
happens to like you?
Then you’re screwed:
no more sleep
Nor will he let you keep your eyes.
He compulsions alone can fetter forces wildness.
How many times a spineless being you'll run to
all the weaky friends you formerly despised,
tremulous sorrow will arise with tears shuddering
warts and pimples and fleas’ll appear on your skin
all your wishes’ll go, words are no more,
you'll never again now who you are.
You'll learn to serve him, girl, to be whatever he wants,
to disappear whenever he wants you to go.
You'll learn why people who want, want to die
why the whole world are lies.
Your rich parents ain't helping:
cause Love's more powerful than social climbing.
But if even small you have given footsteps of your failure
how quickly from such a reputation you will be a murmur!
Not I then I will be able to comfort to bear to asking you
‘Cause I'm sick too.
At this point sicker than you.
My disease is forever.
I know no comfort.
Since we're both maniacs,
let’s be nice to each other.
I myself want to live.
I want to burn.
all I ask is no one loves me
in return.
Every evening during the summer at Vermilion Sands the insane poems of my beautiful neighbour drifted across the desert to me from Studio 5, The Stars, the broken skeins of coloured tape unravelling in the sand like the threads of a dismembered web. All night they would flutter around the buttresses below the terrace, entwining themselves through the balcony railings, and by morning, before I swept them away, they would hang across the south face of the villa like a vivid cerise bougainvillaea.
Once, after I had been to Red Beach for three days, I returned to find the entire terrace filled by an enormous cloud of coloured tissues, which burst through the french windows as I opened them and pushed into the lounge, spreading across the furniture and bookcases like the delicate tendrils of some vast and gentle plant. For days afterwards I found fragments of the poems everywhere.